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Author Archive: Patsy Berry

Half Million Dollar Budget for Art and Landscaping

A half-million dollar endeavour to add landscaping and artwork into a brand new roundabout in Sisters is being seen as a grand entry to Central Oregon that officials state will welcome travelers into the area.

The city, which is working together with the U.S. Forest Service and Oregon Department of Transportation on the project, has up to $200,000 to spend for an artist to create a piece of artwork and $300,000 for landscaping in the roundabout on U.S. Highway 20 and Barclay Drive on the north end of Sisters.

The roundabout artwork, anticipated to be set by the end of September 2018, will be the first on a state highway in Oregon. The artwork is going to act as a gateway to Central Oregon.Members of the Sisters Art Association and a representative from the Forest Service’s scenic byway program will form an art selection committee to assess submissions from artists.

The committee will narrow the field to about three artists through this fall and encourage them to present their projected artwork in the Sisters Public Library in February.

Locals will have the ability to provide their input in the library. The City Council will then make a choice at the end of February. It’s vitally important that the public is given a opportunity to observe the artworks and weigh in on the last choice.

 

Funds for the artwork project are coming from a Federal Lands Access Program grant awarded to ODOT and passed through the city. While up to $200,000 can be utilized for the art, another $300,000 in federal funds may be used for landscape constructions on the roundabout, however the design has to be carefully thought out, as the roundabout is situated on a working highway, cranes may be used, but only at off-peak times.

Since the roundabout is near the nationwide recognized McKenzie Pass-Santiam Pass Scenic Byway, the national government are suggesting that the art should match the motif of their scenic byway — “Land of Contrasts,” which highlights the mixture of forest and desert at the area. It needs to be a colour palette which ties into that, a very natural, landscape type of artwork that is a complement to the city’s western design.

Sisters Mayor Chuck Ryan stated he’s eager to see what the artists create, and listen to the input of the local residents. He describes the art as a substantial project for the city, as it is an artistic community, so the art really needs to reflect the people.

The roundabout will be opened to traffic on Memorial Day, in time for the summer tourist season.

ODOT spokesman Peter Murphy explained the $3.2 million roundabout construction project still has some last stages like getting in a slab crane to add another layer of asphalt, which will be performed after Labor Day.

The Sisters roundabout is actually the very first on a highway in Central Oregon, and also the third in the nation. The only others are in Astoria, joining state Highway 202 and U.S. Highway 101, and through Vernonia, on U.S. Highway 47.

Construction is scheduled to start next year on another state highway roundabout in Central Oregon at state Route 126 and Tom McCall Road at Prineville.

Clever Approaches to Art Insurance

The Crisis

In May 1999, the collapse of industrial giant HIH Insurance coverage ended up being the focal point for the crisis in insurance coverage, especially builders public liability insurance coverage. There were other contributing aspects consisting of September 11, our pressing desire to prosecute. For the arts sector, insurance coverage ended up being not available, then unaffordable. Without insurance coverage, creative ventures can stay simply concepts. And with insurance coverage, tight budget plans are additionally worn down by increased premiums and little arts business should do more with less to keep solvent.

arts, insurance, insurance coverage, public liability insurance

In this post we take a look at a few of the alternatives for group and neighborhood insurance coverage plans

 

Art and Insurance coverage: Do We Comprehend Each Other?

While each arts sector has particular insurance coverage requirements, these are seldom completely comprehended even by professionals and administrators. For instance, the Myer Report (2002) into Contemporary and Visual Arts and Craft discovered that many professionals are likewise uninformed of the value of insurance coverage and involved legal responsibilities. This absence of understanding extends beyond the arts industry and can be seen even in the home indemnity insurance marketplace. What it specifically leads to in the arts sector however is that discovering proper, available and cost effective insurance coverage challenging.

 

Federal government Reaction

As insurance coverage underpins financial activity, federal government intervention into the insurance coverage crisis was more than required. Federal governments reacted to neighbourhood issues about the insurance coverage crisis in 2 especially crucial methods. To start with, State and Territory governments have presented legislation (such as the NSW Civil Liability Act 2002) to restrict payments in damages claims, and second of all, they have helped in developing public liability plans for non-profit neighbourhood groups.

The neighbourhood public liability plans are for non-profit organisations that offer a service or advantage to the general public, have voluntary involvement and are not managed by service or federal government. Our Neighbourhood, for instance, has dealt with other essential stakeholders consisting of NRMA, Allianz and QBE to establish and promote available and inexpensive public insurance coverage for non-profit organisations. These neighbourhood insurance coverage plans differ throughout Australia so for details go to www.ourcommunity.com.au, which notes all suitable public liability insurance coverages plans.

 

Arts Market Insurance coverage Schemes

The arts market itself has likewise reacted. Certainly, some arts organisations, such as Craftsouth and Ausdance, were well prepared for the crisis as they have offered insurance coverage plans to members for several years. Today, a certified subscription of Craftsouth instantly consists of an insurance coverage plan that covers public liability, items liability, occupants’ liability, and items in care, custody and control. Subscription of Craftsouth costs $165, making insurance coverage both available and inexpensive.

Ausdance, through its Safe Dance Insurance coverage Plan, which has actually functioned since 1987, provides a series of insurance coverage items to private entertainers, business and dance instructors. The readily available insurance coverage items consist of: public and item liability, and expert indemnity.

 

This year the National Association for the Visual Arts (NAVA) will introduce an item and public liability plan to its members. It is another important action towards the arts market taking initiative and control over their monetary and legal commitments by the unity that umbrella and peak bodies can supply.

In addition to this sector, particular insurance coverage plans, private artists and little business can look to be auspiced. Auspicing is accepted by federal government financing bodies as a method of structuring a job. Auspicing enables a specific, collaboration or little business to come under the umbrella of a bigger organisation that can help with a series of matters consisting of insurance coverage. For instance, Ausdance occasions supply umbrella protection for neighbourhood groups, that may otherwise have problem in the essential insurance coverage defence. In addition, organisations such as Auspicious Arts Projects Inc. supply monetary management for a particular task, which can consist of public liability insurance coverage and employee’s settlement, for a cost.

 

For every artist and company out there, insurance is an essential system that needs to be in place. There will always be a risk in art and that risk needs to be protected through adequate insurance coverage

The Perfect Gallery Hanging System

The Gallery System is a strong and versatile art hanging systems gallery track system which adapts quickly to changing needs. It has actually been in use since 1989 and has actually been granted an Australian patent. The Original Gallery System has actually the included advantage of working with our own mounted lights system All the Gallery Systems products are perfect for art galleries, museums, universities, workplaces, real estate window screens, exhibits and homes to name simply a few.

art hanging system

Hanging art can be a time-consuming task. Among the great advantages of this image hanging track system is its speed of use. Hanging art is an easy process with the Gallery Systems items.

The gallery track lighting system.

When displaying art it is very crucial to incorporate the proper lighting – art lighting can now be accessed much easier. Our mounted lights systems for art offer an entirely brand-new way to light art for photo hanging. Low voltage light wands lock onto the exact same track that hangs your art. Like the hanging systems they can be quickly relocated to any position on the track. Just lock them on and they illuminate your picture.

Because the system puts the lights near to the art, lighting is much more efficient. Our lighting system just utilizes either 20-watt diachroic lamps or 10 watt LED lights for an even bigger energy savings.

All the Gallery Systems products are designed and put together in Australia. We offer quality, time-saving and affordable solutions for picture hanging solutions and lighting your art. There are major suppliers located in all corners of Australia consisting of Sydney, Melbourne, Brisbane, Perth, Adelaide and Tasmania in addition to various nations worldwide.

One of the Most Powerful Women in NYC’s Art World

Lisa Phillips, the director of the New Museum in Lower Manhattan, strolled into a coffee shop decorated in engineered timber frames on Broadway one late-winter afternoon attempting to take a couple of minutes for lunch – it was 4:30, nearly sundown. She had taken a look at her phone, and her eyes widened at a piece of news just then ricocheting around the art world, that Thomas P. Campbell, the director of the Metropolitan Museum of Art for 8 years, had actually resigned under pressure in the middle of budget plan and management issues.

“I don’t have any idea what the circumstances are,” Ms. Phillips stated, “but, look, no matter what, it’s just a very hard job.”

And she would know: At 63, Ms. Phillips has been running an art museum in New York City longer than anybody other than Glenn Lowry at the Museum of Modern Art (she took over in 1999, he in 1995.) She is among just 2 directors in the city who has actually supervised the largest slab crane construction of a new building (the New Museum’s unconventional Bowery house, opened in 2007; Adam Weinberg, at the Whitney Museum of American Art, opened his brand-new building in the meatpacking district 2 years earlier.) And she is now in the midst of an $80 million capital constructions and crane hire project to double her museum’s size, a job significant up until now for its sotto-voce nature, in sharp contrast to the growth Mr. Lowry is managing, which has actually included the extensively criticized take down of the previous house of the American Folk Art Museum.

“Even with the expansion, it’s not about bigger being better, which has become the reflex position,” she said. “Yes we need space. But it’s more about using the space and the money we raise to think about what the museum needs to become in the 21st century.” She included: “The concept of soft power has become a bit of a cliché, I guess. But it’s the way I’ve always thought about what I do, and I think it’s the way this museum has made a difference.”

As her organization commemorates its 40th anniversary, Ms. Phillips has completely gone into the dean phase of a museum profession. Yet she remains among the least openly acknowledged members of the museum-leader community, owing in part to a constitutional hostility to chest-thumping that has actually left her standing in the shadows of her contemporaries. (She has, for instance, over more than thirty years as a manager and director, never ever been profiled by this publication, and I might discover only one substantial publication short article committed to her.).

However her molding of the New Museum from a near-guerrilla, artist-beloved operation established by another female, Marcia Tucker, into what it is today – an extremely concerned, still-nimble organization that has actually formed its own character on the planet’s most overcrowded city for modern art and glue laminated architecture – has actually earned her the respect of those who compete with her for shows, clients and attention.

“Because she’s so low-key and doesn’t blow her own horn, I think that in 20 years, when she’s no longer a director, people are going to look back and say she was one of the great museum directors of her generation, I really do,” Mr. Weinberg said.

Is that Instagram Photo Making Us Eat Poorly?

We live in an age where everyone can take stunning quality photos on their phone, and some of those photos can even earn you big bucks. But is being an inspiring photographer putting yourself and your peers at risk of falling into bad dieting habits?

The National Osteoporosis Society is the latest medical company calling out dangerous patterns.

This week, the National Osteoporosis Society launched research caution that so-called “clean eating trends” that cut out significant food groups, such as dairy, gluten, and improved sugars, might jeopardize the health of young people that are heavily influenced by digital content on social media that glamorise clean eating and are topped with a nice filter to sweeten the deal.

The NSO surveyed 2,000 grownups, and found that 4 in 10 young adults have tried dieting. 20 percent of them had either cut out or restricted their consumption of dairy, badly restricting their calcium intake. This age was also the most likely to get their nutritional information from social media. The NOS now thinks that these dietary trends are putting this generation at a greater risk for developing osteoporosis. Depictions of prepared meals aren’t all bad; however it’s the photos with subliminal messages and an agenda that could hurt young adults.

The issue might be that numerous youths who try these diets aren’t doing their research study through reputable, certified sources. They’re simply looking at photos on social media and attempting to mimic what they see without seeking advice from any professional sources about what is right for their particular bodies.

Since fresh food has become a regular feature on social media platforms, issues that individuals’ health will suffer if they don’t follow suit have followed. Yet some experts think social media isn’t entirely to blame.

Nikki Ostrower, who founded NAO Nutrition after getting back on his feet from a series of eating disorders, thinks that a culture preoccupied with dieting is the genuine issue.”We’ve always been obsessed with dieting,” she told me. “Diets, whether in paid announcements or in books, have actually been around permanently.”

While Ostrower concurs that “social media is an easy [place] to get lost in compare and despair,” she thinks resolving unhealthy teen habits needs to go beyond managing their use of social media.

“Parents are giving their kids control over their phones, and while technology can be addictive and exhausting, I don’t think that’s the problem. We were never given tools to build confidence and self-esteem,” she stated. She suggests meditation, positive affirmation, yoga, and naturally, the guidance of a medical professional.

But until more people want adopt Ostrower’s methods, and seek advice from an expert when aiming to change their diet plans, social media will be a looming risk to our health. There’s been plenty of research in the past to show the unsafe impact social media fad diets can have on young people in specific.

Back in 2014, Elle reported on the threats of social media-driven diet fads.

“There’s just so much information out there that I think it’s become confusing for people to wade through it and figure out what is actually a truly holistic, healthy approach versus this obsession with comparing and the weight-focused discussions,” Claire Mysko, director of the National Eating Disorders Association informed the publication.

And a 2015 Rutgers study tried to combat the sea of misinformation drifting around the internet about healthy eating: The authors composed that “some [information] is blatantly misleading and questionable, “and described ideas on the best ways to identity trusted sources for dietary information. They recommended making “sure the author(s) have the appropriate education and qualifications to share information on apps, blogs and websites. If social media does not meet these requirements, then search for sites or apps that can be considered peer reviewed and accurate. Social media needs to be more than just quick and efficient.”

And in 2015, the Guardian consulted with a nutritionist named Rhiannon Lambert who encountered a condition called orthorexia— a term created in 1997 for a “fixation with exemplary eating” (it’s still ruled out as an official scientific medical diagnosis).

“Young people lose sleep over this and cannot afford the lifestyle needed to maintain it,” Lambert said. “Health bloggers can be unqualified and offer dangerous advice…They often give advice on clean eating with no scientific backing.”

Self styled wellness gurus have actually taken over social media by writing content that promotes diet fads. Freelee the Banana Woman shot to fame on YouTube for her extreme vegan diet plan– she consumes 50 bananas a day– however rapidly dealt with the reaction for her incendiary, and unscientific, opinions on the best ways to remain healthy. Celebs like Nicki Minaj and Kylie Jenner have been promoting teatoxes on their Instagram accounts as an approach for weight reduction. Teen Vogue stated these teas as bogus– they merely include an FDA authorized laxative called Senna that will empty you out, but not in fact lower your weight.

However even though they’ve been exposed, detoxing trends still have more than eight million posts on Instagram, and Ostrower cautions that none are a one-size-fits-all miracle treatment.

“Detoxing is very serious. We want to monitor that. Everyone needs a different cleanse. It might not always be a juice. It could be a whole foods cleanse,” she stated.

All in all, when it comes clean eating you shouldn’t put excessive stock in what you see on your Instagram and Twitter feeds– unless it’s from a certified professional.

Voice Over Artists: How to Hone your Dialect Skills

The world has become a very small place indeed; consequently, voice over artists who can convincingly portray dialects are in hot demand. However, if you are on the path to being a dialect artist, you must continuously hone your skills.

See, you may think that you can handle a dialect well, but you may not be as good as you assume. Lets put it this way  have you ever heard someone talk in what he or she thinks is a British accent but which is absolutely awful? You certainly dont want that to happen to you when a voice over agent listens to your audio!

Therefore, you need get to and stay at the top of your game. Here, we will show you three great ways to perfect your voice over dialect skills.

1. Listen to People with the Dialect You are Imitating

There is no way on earth that you’re going to be able to pull off a persuasive dialect if you havent spent a great deal of time actually listening to the way people from a certain region talk. Of course, that doesn’t mean you have to travel halfway around the country (or planet); thankfully, the Internet has made it easy to listen online to folks from around the globe.

As you’re listening to dialects, you should literally take notes for yourself to use later. For instance, if the person you’re hearing says the vowel are€ in a particular manner, write that down. Do the same with other vowels and consonants. Make note of speech patterns as well.

Additionally, pay attention to colloquialisms. Nothing is more maddening than when a voice over artist messes up on a dialect by inserting a phrase that the intended speaker wouldn’t say.

If you want people to listen to your voice over results, you have to listen to them first yourself. So get a recorder or use your laptop and start talking! Pick up the newspaper and just read a story or two in a particular dialect; then, play back your recording.

As you do this more and more often, you’ll become very aware of any mistakes you’re making. Thus, you’ll be able to (hopefully) correct them. This is really the best way to make sure that you’re being true to the dialect.

3. Start Attempting New Dialects

Even as you’re honing your voice over dialect skills, add new ones to the mix. Try a French accent. Attempt a South African accent (as opposed to a British or Australian one). See if you can differentiate your accents by region .

By challenging yourself, you’ll actually become better at your original dialects. Plus, you’ll become more versatile (and marketable) as a voice over artist in the process. It’s a win-win situation all around!