Monthly Archive: June 2017

Half Million Dollar Budget for Art and Landscaping

A half-million dollar endeavour to add landscaping and artwork into a brand new roundabout in Sisters is being seen as a grand entry to Central Oregon that officials state will welcome travelers into the area.

The city, which is working together with the U.S. Forest Service and Oregon Department of Transportation on the project, has up to $200,000 to spend for an artist to create a piece of artwork and $300,000 for landscaping in the roundabout on U.S. Highway 20 and Barclay Drive on the north end of Sisters.

The roundabout artwork, anticipated to be set by the end of September 2018, will be the first on a state highway in Oregon. The artwork is going to act as a gateway to Central Oregon.Members of the Sisters Art Association and a representative from the Forest Service’s scenic byway program will form an art selection committee to assess submissions from artists.

The committee will narrow the field to about three artists through this fall and encourage them to present their projected artwork in the Sisters Public Library in February.

Locals will have the ability to provide their input in the library. The City Council will then make a choice at the end of February. It’s vitally important that the public is given a opportunity to observe the artworks and weigh in on the last choice.


Funds for the artwork project are coming from a Federal Lands Access Program grant awarded to ODOT and passed through the city. While up to $200,000 can be utilized for the art, another $300,000 in federal funds may be used for landscape constructions on the roundabout, however the design has to be carefully thought out, as the roundabout is situated on a working highway, cranes may be used, but only at off-peak times.

Since the roundabout is near the nationwide recognized McKenzie Pass-Santiam Pass Scenic Byway, the national government are suggesting that the art should match the motif of their scenic byway — “Land of Contrasts,” which highlights the mixture of forest and desert at the area. It needs to be a colour palette which ties into that, a very natural, landscape type of artwork that is a complement to the city’s western design.

Sisters Mayor Chuck Ryan stated he’s eager to see what the artists create, and listen to the input of the local residents. He describes the art as a substantial project for the city, as it is an artistic community, so the art really needs to reflect the people.

The roundabout will be opened to traffic on Memorial Day, in time for the summer tourist season.

ODOT spokesman Peter Murphy explained the $3.2 million roundabout construction project still has some last stages like getting in a slab crane to add another layer of asphalt, which will be performed after Labor Day.

The Sisters roundabout is actually the very first on a highway in Central Oregon, and also the third in the nation. The only others are in Astoria, joining state Highway 202 and U.S. Highway 101, and through Vernonia, on U.S. Highway 47.

Construction is scheduled to start next year on another state highway roundabout in Central Oregon at state Route 126 and Tom McCall Road at Prineville.

Clever Approaches to Art Insurance

The Crisis

In May 1999, the collapse of industrial giant HIH Insurance coverage ended up being the focal point for the crisis in insurance coverage, especially builders public liability insurance coverage. There were other contributing aspects consisting of September 11, our pressing desire to prosecute. For the arts sector, insurance coverage ended up being not available, then unaffordable. Without insurance coverage, creative ventures can stay simply concepts. And with insurance coverage, tight budget plans are additionally worn down by increased premiums and little arts business should do more with less to keep solvent.

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In this post we take a look at a few of the alternatives for group and neighborhood insurance coverage plans


Art and Insurance coverage: Do We Comprehend Each Other?

While each arts sector has particular insurance coverage requirements, these are seldom completely comprehended even by professionals and administrators. For instance, the Myer Report (2002) into Contemporary and Visual Arts and Craft discovered that many professionals are likewise uninformed of the value of insurance coverage and involved legal responsibilities. This absence of understanding extends beyond the arts industry and can be seen even in the home indemnity insurance marketplace. What it specifically leads to in the arts sector however is that discovering proper, available and cost effective insurance coverage challenging.


Federal government Reaction

As insurance coverage underpins financial activity, federal government intervention into the insurance coverage crisis was more than required. Federal governments reacted to neighbourhood issues about the insurance coverage crisis in 2 especially crucial methods. To start with, State and Territory governments have presented legislation (such as the NSW Civil Liability Act 2002) to restrict payments in damages claims, and second of all, they have helped in developing public liability plans for non-profit neighbourhood groups.

The neighbourhood public liability plans are for non-profit organisations that offer a service or advantage to the general public, have voluntary involvement and are not managed by service or federal government. Our Neighbourhood, for instance, has dealt with other essential stakeholders consisting of NRMA, Allianz and QBE to establish and promote available and inexpensive public insurance coverage for non-profit organisations. These neighbourhood insurance coverage plans differ throughout Australia so for details go to, which notes all suitable public liability insurance coverages plans.


Arts Market Insurance coverage Schemes

The arts market itself has likewise reacted. Certainly, some arts organisations, such as Craftsouth and Ausdance, were well prepared for the crisis as they have offered insurance coverage plans to members for several years. Today, a certified subscription of Craftsouth instantly consists of an insurance coverage plan that covers public liability, items liability, occupants’ liability, and items in care, custody and control. Subscription of Craftsouth costs $165, making insurance coverage both available and inexpensive.

Ausdance, through its Safe Dance Insurance coverage Plan, which has actually functioned since 1987, provides a series of insurance coverage items to private entertainers, business and dance instructors. The readily available insurance coverage items consist of: public and item liability, and expert indemnity.


This year the National Association for the Visual Arts (NAVA) will introduce an item and public liability plan to its members. It is another important action towards the arts market taking initiative and control over their monetary and legal commitments by the unity that umbrella and peak bodies can supply.

In addition to this sector, particular insurance coverage plans, private artists and little business can look to be auspiced. Auspicing is accepted by federal government financing bodies as a method of structuring a job. Auspicing enables a specific, collaboration or little business to come under the umbrella of a bigger organisation that can help with a series of matters consisting of insurance coverage. For instance, Ausdance occasions supply umbrella protection for neighbourhood groups, that may otherwise have problem in the essential insurance coverage defence. In addition, organisations such as Auspicious Arts Projects Inc. supply monetary management for a particular task, which can consist of public liability insurance coverage and employee’s settlement, for a cost.


For every artist and company out there, insurance is an essential system that needs to be in place. There will always be a risk in art and that risk needs to be protected through adequate insurance coverage

The Perfect Gallery Hanging System

The Gallery System is a strong and versatile art hanging systems gallery track system which adapts quickly to changing needs. It has actually been in use since 1989 and has actually been granted an Australian patent. The Original Gallery System has actually the included advantage of working with our own mounted lights system All the Gallery Systems products are perfect for art galleries, museums, universities, workplaces, real estate window screens, exhibits and homes to name simply a few.

art hanging system

Hanging art can be a time-consuming task. Among the great advantages of this image hanging track system is its speed of use. Hanging art is an easy process with the Gallery Systems items.

The gallery track lighting system.

When displaying art it is very crucial to incorporate the proper lighting – art lighting can now be accessed much easier. Our mounted lights systems for art offer an entirely brand-new way to light art for photo hanging. Low voltage light wands lock onto the exact same track that hangs your art. Like the hanging systems they can be quickly relocated to any position on the track. Just lock them on and they illuminate your picture.

Because the system puts the lights near to the art, lighting is much more efficient. Our lighting system just utilizes either 20-watt diachroic lamps or 10 watt LED lights for an even bigger energy savings.

All the Gallery Systems products are designed and put together in Australia. We offer quality, time-saving and affordable solutions for picture hanging solutions and lighting your art. There are major suppliers located in all corners of Australia consisting of Sydney, Melbourne, Brisbane, Perth, Adelaide and Tasmania in addition to various nations worldwide.